Sam Eley's Basil Crumbwick: A Hilarious, Cantankerous Cult Hit
Edinburgh's venues often host late-night cult favorites, reminiscent of past hits like Rob Kemp's mashup or Joe Kent-Walters' portrayal of Frankie Monroe. Sam Eley, in his role as Basil Crumbwick, bears a slight resemblance to Frankie Monroe, emerging as this year's potential cult sensation.
Crumbwick, embodied by Eley under a large papier-mâché head, is an unrefined and cantankerous character. With bulging, bloodshot eyes and carpet scraps for hair, he's an unlikely figure to be addressing an audience in an arts festival cellar. However, after being banned from his favorite pubs in Peterborough, this is his chosen path.
One might hesitate to be confined in a dark space with such an unappealing outlook and a character prone to shouting if you misbehave, much like Frankie Monroe. While the act doesn't break entirely new ground, recalling the styles of Vic and Bob or Frank Sidebottom, it is skillfully constructed. Basil delivers rants about his neighbor, Beverly, whom he calls a "rat," contemplates the merits of bestiality versus consumption of a pig, and reads excerpts from his self-help book, which bizarrely suggests visiting the Playboy mansion as a cure for all mental health issues.
There's an undeniable, illicit thrill in his off-color pronouncements, leaving one to ponder whether we are mocking his bigotry or subtly embracing it. Eley, however, clarifies that Basil's views stem from a lonely and embittered old man struggling to connect with his bin collector. The character's complexity extends beyond a dyspeptic outlook; it's richer and stranger, as evidenced by his "Treason for Beginners" class at the local church.
Ultimately, the character and the audience's experience are elevated by Eley's exceptional joke writing. The performance guarantees continuous, unexpected laughter as Basil expresses longing for his departing nemesis, Beverly, and Eley visibly sweats under his prosthetic head. This marks the emergence of a compelling new comedic alter ego, solidifying its status as another guaranteed late-night cult hit.
Fresh materials — Society news

Esther Rantzen, TV Presenter and Childline Founder, Dies at 86
Esther Rantzen, the Bafta-winning television presenter and creator of the charity Childline, has died at 86. Her family described her as “the most wonderful mother” and “cherished grandmother,” whose “legacy of compassion and understanding will live on in her charities Childli

How Zach Cregger's Resident Evil Captures the Game's Essence
Some Resident Evil fans have voiced dissatisfaction online with Zach Cregger’s film adaptation, calling it "not a real Resident Evil movie." Yet, despite the absence of iconic heroes like Leon or Claire, familiar villains, and well-known settings, Cregger's interpretation stands out a

Questions for Michael Winterbottom
The 90s are currently in vogue, but they wouldn't have happened without the 80s. Michael Winterbottom's 2002 film, 24 Hour Party People, explores Manchester's music scene from the Sex Pistols' 1976 gig at the Lesser Free Trade Hall, through Factory Records, Joy Division, New Order, an

Mighty Sparrow, Trinidad and Tobago's 'Calypso King of the World,' Dies at 91
Slinger Francisco, known on stage as the Mighty Sparrow and hailed as the “calypso king of the world,” has died at 91. His family confirmed his peaceful passing surrounded by loved ones in New York on Sunday, stating it followed a brief illness. Francisco rose to prominence in calypso music

Korea review – a nirvana of wild beauty shattered by the 20th century
Can they replicate the success? The British Museum's blockbuster Bayeux Tapestry exhibition has set a high bar. Now, they follow with "Korea," an exploration of "2,000 years of creativity" from a land that, prior to the 20th century's hardships, experienced millennia of peace, as refl

Taylor Swift's "The Life of a Showgirl: The Encore": A Human Glimpse Amidst Bitter Love Songs
Taylor Swift's decision to release an expanded version of her album, "The Life of a Showgirl," titled "The Encore," has sparked speculation. Many fans believe it's a strategic move to influence Grammy voters or to disrupt chart records. This follows Swift's earlier statement that "